About how our different lives are ultimately defined by a common emotional struggles. Very Raymond Carver. Maybe we eventually have a fight, or a misunderstanding. Maybe we carry private knowledge of one another like a sacred oath, far into the future.
Essays & Criticism
Read more…. Elisa Albert Longreads August 24 minutes 5, words. Her name was Sally. The Salster. Sometimes we called her Butt-Wiggle, for the way she shook it when she saw us. Or butt-wig, for short. You know how it is with nicknames, the language of love. She was bright-eyed and smiling.
Someone had tied a bandana around her neck. I adored her on sight. She was up for adoption the following Saturday in a parking lot behind a warehouse in Schenectady.
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We resolved to keep open minds and meet all the dogs, let the right one find us, not force anything, but it was always going to be Sal. She stood on her hind legs and wagged her whole ass at us. She was practically dancing. Jet black, with a short, shiny coat. Who knew. Who cared. The chemistry was perfect. Love at first lick.
Elisa’s Italian Dinner
It was always going to be Sal. Four months old, spayed and vaccinated. No one else showed the slightest interest in her. She was ours. We filled out the paperwork and took her home.
Her eyes! So present and soulful, a real lover.
What Kind of Thinker Are You?
She wanted to crawl under the sheets next to you. She was like one of those rare massage therapists whose touch feels psychic: exactly where you want it, exactly how you want it. I was never into dog memoirs or whatever, never understood that mad devotion to pets. Seemed weird to be that into an animal. It seemed fairly sad to be that into an animal.
Now I got it. People are way overrated.
How moronic and hubristic I find that attitude. And yet. Sally gave us something new to love, and in so doing gave our family a new dimension, this whole new love to share between us. I felt a weird, delicious sense of… completeness. We were in love with her and in love with each other and in love with the way she loved us back and generally high off our own abundance of love and good fortune. While a few critics have argued that Elisa's tears are more an indication of emotional catharsis, the vast majority believe that Elisa cries out of a renewed despair about her lot in life.
Although she was invigorated and compelled initially by her encounter with the tinker, her realization that he dumped her chrysanthemum buds at the side of the road led her to an even more profound sorrow by reminding her of her inability to find creative fulfillment, her lack of independence, and her utter dependence on the men around her for stability. These tears seem to indicate an agony rooted in a sad acceptance of her misery, which would suggest that Elisa's future is just as bleak.
Although she hopes for a way to find more independence and an outlet for her excess energy, she has no hope for escape from her provincial, isolated life.
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By setting his story on a ranch that, too, is isolated in the Salinas Valley, Steinbeck emphasizes Elisa's emotional isolation through a literal physical isolation. Elisa needs a car or a wagon to leave her ranch - things the men in her life have, but she doesn't. Additionally, by setting the story in winter, when plants and vegetation are dormant or dead, Steinbeck enhances the overall feeling of bleakness. He frequently describes the weather as grey, emphasizing the lack of sunlight, which perpetuates this tone.
Thus, when watching the tinker's wagon drive away, Elisa remarks "That's a bright direction. There's a glowing there" , it indicates the momentarily renewed hope that Elisa's encounter with the tinker has created. By referring to the tinker's wagon as "bright," it stands in direct contrast to the grey, cold environment that Elisa is used to living in.
On the surface, Henry is a good husband - he compliments his wife, offers to take her on dates, and treats her with respect.
When she tries to engage with Henry as his equal, he becomes confused and cannot match her. He can only treat her like a "good husband" would, which serves to make her more unhappy. Int'l sales: Film Factory, Barcelona.
Music: Sofia Oriana. Spanish, Portuguese dialogue. This year, the festival ran films across screenings in theaters all over town. The festival will come to a [ As John Travolta and Uma [ By Jay Weissberg. Popular on Variety.
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